The World's End (2013)

It has been more than 10 years since Nick Frost, Simon Pegg and Edgar Wright teamed up to make Shaun Of The Dead, thus beginning the aptly named “Cornetto Trilogy”, and finally, the trilogy comes to a close with The World’s End. Sticking with the genre-spoof theme, The World’s End is an end of the world science-fiction film where a group of old school mates are coaxed back to their home town in order to finish a pub crawl they couldn’t quite complete in their teen years, but the locals are a bit weird.

There are some twists and turns and the plot thickens to a point, but it didn’t quite go far enough. The beautiful thing about the science-fiction genre is that you can take it anywhere you want it to go, and if you’re spoofing it, you can make up any old excuse for anything that happens, but unlike Hot Fuzz and Shaun of the Dead, the focus wasn’t on the genre stereotypes, but on the development of the characters. Simon Pegg plays Gary King, a perpetual teenager whose life did not get any better after high school. He’s a dick, basically, who never quite redeems himself, or makes up for the shit he’s done to his friends.

As representatives for Earth go, he wouldn’t be first choice, but he is in the right place at the right time to put in his two cents worth, and messing up everything. There are some stellar moments, such as identical twins who have been destroyed by Gary King only to come back to life with rotating legs for arms, but for the most part the films feels like it is perpetually ramping up to something exciting that never happens. There’s no ridiculous high speed car chase/shoot out, no major realisation in the pathetic main character who should have so much potential (besides chaos and alcoholism), it’s just a few awesome fight sequences, a little bit of dilly dallying about what to call the alien invaders, some reminiscing and a ridiculous ending that is way off centre and seemingly just slapped on the end like a final chapter that was never published with the original.

Pre-final sequence, the film is enjoyable, the supporting cast are on-key, Nick Frost is a bang-on lovable loon, Martin Freeman is a great up-tight loser who is constantly attached to his blue-tooth head piece, and there are notable guest appearances from Cornetto Trilogy regulars such as Bill Nighy and David Bradley. So grab a Cornetto, lower your expectations, and enjoy the finale of the trilogy.

3 stars

An edited version of this review was originally published at FilmBlerg

Pacific Rim (2013)

Beginning with voice over narration explaining who the big aliens (Kaiju) are, where they came from, what they did to the Earth and why the human race had to build giant robots (Jaeger) to fight them, Guillermo del Toro‘s Pacific Rim is set up for the lowest common denominator. But the action of the film does not occur in the details of the intergalactic war, or the effects it’s having on the human race (like a good sci-fi would), but instead in the relationships of the people who program the Jaeger’s and the team who are planning an attack on the portal that is bringing the alien menace to our shores, located somewhere below the Pacific Ocean.

The Jaeger are very complicated pieces of machinery whose psychological interfaces cannot be handled by a single human brain. So the pilots of these mega-structures are instead a team of two, who surf the drift (head space and memories of two beings basically sharing one brain space), each operating a hemisphere of the robot. It’s all sci-fi mumbo jumbo that basically means the pilots need chemistry and are usually related. Raleigh (Charlie Hunnam) and Yancy (Diego Klattenhoff) are brothers, pilots, and rock-stars. They have no marketable skills in the real world, but in post apocalyptic aliens vs giant robots world, their ability to hold their own in a fight makes them super human rock-stars.

But when Yancy is killed and the Kaiju start to predict the movements and fighting methods of the Jaeger, Raleigh is pulled off construction of the giant wall he is building, join with a new partner, and join the plot to blow up the portal between the two worlds. There’s some mushy love story crap and a mysterious back-story thrown in, and Charlie Hunnam (known to me as hot British Lloyd from Undeclared) is pretty buff without his shirt on, so I see the appeal. But the real stars of the show are Charlie Day as Dr Newton the Kaiju groupie and Burn Gorman as Gottlieb, the numbers man. The chemistry between the two and their little side story is hilarious. Ron Perlman makes a pretty awesome cameo as well.

If you like action films where you don’t have to think about anything, sci-fi where every little anomaly of story is explained with some sci-fi bull-shit, actors trying to work with accents they clearly can’t pull off (British pretending to be American, American pretending to be Australian) and the ridiculous notion that the human race has the technology to build giant robots that can compete with mega-aliens in hand to hand combat, but can’t build a huge gun that can destroy them without crushing the Sydney Opera house, then this film is for you. The visuals are spectacular, if a little disorienting in 3D, the choreography of the fight scenes is masterful, and the film is just damned hilarious. A thrill ride that will take your mind off things for over 2 hours.

3 stars

An edited version of this review was originally published at FilmBlerg